Topic: FF400 Line Inputs Rear, Settings, Line Level, ISA One Pre
I've picked up a Focusrite ISA One preamp unit which is a DI as well as a mic pre. The output signal of the DI on this unit is VERY HOT and it is fixed, no way to lower it on the ISA going out, only to compensate the signal on interface coming in.
I am connected as follows:
XLR from DI OUTPUT of ISA to LINE INPUT 7 REAR FF400 TRS
XLR from MIC OUTPUT of ISA to LINE INPUT 8 REAR FF400 TRS
The MIC is fine, more than enough gain or lack of gain as needed, very easy to dial in the right signal level with any mic I'm throwing at it.
The DI I think I may have solved but it's so borderline close to clipping if I really bash strings that I have concerns unless someone can set me otherwise.
I am opting to use the rear line inputs vs. the front inputs just to have a clean front of interface and free up the front ports for on the fly stuff I may need and because they seem to be the best suited for this specific DI output.
The DI signal from this box is fixed and VERY HOT and all I can do is make it HOTTER, I cannot tame it on the way out.
The RME MIC/LINE 1 or 2 inputs on the front even at 0dB, the signal is way too hot, not usable for this. Insta-clip.
*QUESTION: Does plugging a TRS cable into these 1/2 front inputs BYPASS THE PREAMPS AND MAKE IT LINE LEVEL?
The INST/LINE 3 and 4 have the PAD button but it does something to the sound, takes away balls. I do not like to engage this PAD button and it still clips with PAD engaged.
That leaves just the rear inputs. The only adjustments are the 3 settings for "sensitivity": Lo Gain, +4dbU or -10dbV.
The current setting I am on is Lo Gain which almost gets me there. I have to hit my strings R E A L L Y hard to make it clip but I can make it clip if I really hammer. I did read somewhere that RME has made it so this occasional very brief clip is OK? Something about the inputs are not able to actually clip? Is any of this correct?
If I wanted to put somethign in between the TRS input of the FF400 and TRS output of the DI signal to cleanly attenuate, what could be used? I would like to have my DI signal, never, ever go about -3dBfs regardless of how hard I hit. Every amp sim I am using wants a very fat and hot DI signal coming into it.