laubyhatred wrote:That was just an example. I just meant several instruments plugged (whatever number) to have better access to volumes on the fly.
"whatever number" is maybe a bit too high
It would be more helpful to know your concrete requirements. For this, it is necessary that you make a list of which analog and digital inputs and outputs you need at least, where you might want to have some reserves for the future, so that a suitable device can be recommended to you.
Type of port | # of ports needed in parallel | additional reserve ports
---------------------+--------------------------------------+----------------------------------
Analog inputs
Analog outputs
Mic inputs
Instrument inputs
Phones outputs
ADAT IN
ADAT OUT
SPDIF IN
SPDIF OUT
MIDI
MADI IN
MADI OUT
If you don't want to commit yourself to a certain number of channels that you need, if you already need a considerable number of analog ports (including "whatever number" of instrument inputs) and if you already want to use an ADAT expansion port with external preamp, I would recommend a recording interface that offers you the necessary flexibility. There is only one device that offers all these possibilities and more: UFX+.
It's also an advantage to have a high number of ports directly built-in into a recording interface, because if you should work with a higher sample rate than single speed, then you do not loose ports by multiplexing channels (which is the case for ADAT and MADI). Example: ADAT supports 8ch@44.1/48 kHz, but only 4 and 2 ch. in double (88.2/96) and quad speed (up to 192 kHz). This issue you do not have with all the analog ports, that are directly connected to your recording interface.
On the front you have 4 ports, that can be used as Mic, Line and Instrument input.
Then you have 8 analog inputs and outputs on the back.
Two phones outputs.
One AES and two ADAT inputs and outputs.
MADI which allows you to connect usually up to 8 additional devices (Preamps, Converters, ADAT ports) as you need up to 64ch at single speed and 32ch at double speed.
The UFX+ is the flagship of RME interfaces giving you quality and a lot of options:
- AUTOSET for preamps and Instr inputs
- DURec as backup or standalone recording possibility to an USB storage medium (external USB/SSD disk or stick)
- in standalone mode fully operateable by the display
- USB port on the back that allows connection of the "ARC USB" remote directly, also for stand-alone operation
You also have a lot of flexibility to connect to the PC bei either
- USB2 (without MADI)
- USB3 (all channels)
- Thunderbolt (all channels)
On top all the capabilities that RME offers:
- DIGIcheck
- TotalMix FX Remote to be able to operate TM FX from a remote Windows PC or Tablet
You can get an overview about the technical data here from my excel and compare features with other USB/FW/TB devices:
https://www.tonstudio-forum.de/blog/ind … B-MADIfac/
Direct link to the Excel: https://www.tonstudio-forum.de/index.ph … 0-08-xlsx/
If you need some information about the UFX+ and how flexible it can be used:
https://www.tonstudio-forum.de/blog/ind … 8-RME-UFX/
https://www.tonstudio-forum.de/blog/ind … arren-Rig/
https://www.tonstudio-forum.de/blog/ind … -DURec-DE/
https://www.tonstudio-forum.de/blog/ind … Cber-MADI/
https://www.tonstudio-forum.de/blog/ind … XTC-DE-EN/
BR Ramses - UFX III, 12Mic, XTC, ADI-2 Pro FS R BE, RayDAT, X10SRi-F, E5-1680v4, Win10Pro22H2, Cub14