I thought I was one of technics/measurement oriented hi-fi users, but I need to seriously study the features of RME ADI-2.
It seems that the parametric EQ in RME ADI-2 automatically adjusts what corresponds to the level control on the analog EQ gears. The RME ADI-2 seems to automatically (according to the EQ setting) perform volume-down within the digital EQ to reduce the chance of clipping and also volume-up in the the 4-stepped analog gain control after the DAC chip.
I just boosted bass (+12 dB, 90Hz, Q 0.5) in the parametric EQ, and am playing 0 dBFS 50 Hz track.
[with EQ off]
L: -1.8 (-1.8 with 1 kHz 0 dBFS track)
R: -1.8 (-1.8 with 1 kHz 0 dBFS track)
VOL -18.5 dBr
-5 dBu (Auto)
[with EQ on]
L: -4.8 (-13.7 with 1 kHz 0 dBFS track)
R: -4.8 (-13.7 with 1 kHz 0 dBFS track)
VOL -18.5 dBr
+7 dBu (Auto)
Whenever I turn on or off the EQ, I hear clicking sound from the change of analog gain after the ESS DAC chip.
P.S.: I am starting to like the 4-stepped analog gain control after the DAC chip in ADI-2. Theoretically, it is a feature for conveniently achieving high signal to noise ratio in audio frequency band. In practice, however, the circuit becomes more complicated and may result in poor sound quality if poorly implemented. The sound quality of RME ADI-2 (compared to a DAC with single fixed analog output level) is good to my ears (Sorry for talking about a subjective feeling.).
Correction:
According to MT, AutoRef takes B/T(bass/treble) and EQ into account and changes the level to prevent clipping.