Where to place the Trinnov ..
The Trinnov seems to be able to get audio signals either via AES or analog.
The room connection you would only need for active monitors.
So I would place the Trinnov behind the ADI-2 Pro and connect it analog.
Word clock is not needed. UFX III is clock master, and the slaves can learn clock via MADI, AES and/or ADAT.
I would use OM3 or OM4 multimode fiber cable for connecting the M32 Pro AD, by this you have also galvanic isolation.
PC-----------------------------USB2---------------------------------------------------+
| \---USB---ARC USB | for remote control using ADI Remote
| | and firmware updates
| USB3 | [ADI-2 Pro mode: ADDA]
| |
UFX III---ADAT1 OUT----[SPDIF]---1:--Optosel4:1Mk2----->ADAT IN----ADI-2 Pro FS R BE---AN1/2----Trinnov-----Active Monitors
| | 2:---TV \---AN3/4-------------------Phones
| + M32 Pro AD 3:---BluRay
| | 4: Reserve
+---+
MADI
Regarding clock synch and D/A conversion:
UFX III as clock master, then the application sets the sample rate for the main audio interface,
and the slaves can learn automatically the sample rate.
The ADI-2 Pro is designed in a way that he uses his internal FS clock for the final D/A conversion.
All devices have FS clock and the slaves use SteadyClock FS for optimal jitter reduction.
If you have other devices there like TV or BluRay Player then you can use a TOSLINK switcher in front of the ADI-2 Pro R BE.
The Oehlbach Optosel 4:1 is nice looking and has a remote and you can also switch the channels on the unit.
It supports in the Mk II version up to 192 kHz.
By this you can make the ADI-2 Pro FS R BE to the "central" converter in your studio but also multimedia setup.
How to integrate the ADI-2 Pro FS into your setup including configuration example, see my blog:
https://www.tonstudio-forum.de/blog/Ent … our-Setup/
Some information about clock synchronization:
https://www.tonstudio-forum.de/blog/ent … ios-en-de/
BR Ramses - UFX III, 12Mic, XTC, ADI-2 Pro FS R BE, RayDAT, X10SRi-F, E5-1680v4, Win10Pro22H2, Cub14