IT'S NOT MID OPERATION. I don't know where you guys are getting that. I finish a song, need to work on another one. I close a session, bring control room volume to -? and switch sample rates, then bring up the next session. How else do you guys do it? Is there some sacred protocol for changing sample rates or something? I mean you guys are talking like I just am listening to a session and say "oops, I think I'll change to 96 now, it will sound better that way." I AM NOT AN IDIOT.
Also, like I said, I only have 28 channels of conversion hooked up, so the mixer really does not change at all. Everything beyond channel 28 has been unrouted, so really there are just a bunch of extra faders that serve no purpose. (None of my gear goes beyond 96 so I never deal with only 14 channels.)
Can you guys just help me, instead of nitpicking my workflow? If this is not possible, just say, sorry, the current RME drivers are incapable of this mode of operation. I will understand that this is just how it was designed, even if it doesn't make sense to me. A point worth making though is what other gear do you guys own that when you set it to slave to word clock, you still have to manually change the sample rate?
Also, whenever you reference the manual, LIST A PAGE NUMBER. I would really like to read the words for myself.
Please no more BS, I understand how digital audio works, I understand how madi works, and word clock. I just want to know what the mindset behind the sample rate acting the way it does. If nobody can answer with solid theory, a page in the manual, or some other clear response to my actual question, please do not respond to this thread. I never dreamed that it would be so hard to get such a simple answer.
I am just looking for clarity on the existing mode of operation, not excuses as to why something cant be done. If you want to make excuses, make this one: Thats how it was designed, here's why it was designed that way: _________________________. Thats all I am after.
I am sorry to sound so harsh, it's just that you guys seem to think I am totally clueless. I don't know how to get it through to you. Nor do I know where you get off treating your professional client base like this. You are not being professional. I am in the madi/aes PREMIUM line forum right? Maybe if I had a FF400 or something I would expect the digital audio lesson, but I own RME's most expensive HDSPe card. Support it as such. I guess I'll have to wait for Jeff to get back.