jistme wrote:fmsabba wrote:I bet audiofools will rush to buy it.
While I agree that the ADI DAC is one of the better dacs available for studio and measuring purposes,
that certainly doesn't mean it is also the most 'musical' one. (and it isn't, in my personal opinion)
EDITED:
Sorry, but this is a very questionable posting without any information content.
The intention is also not quite clear. The first posting of an "alleged" user, who doesn't even explain in which setup he tested the ADI-2 Pro and which other device he thinks would be more "musical" in his opinion.
My personal opinion: the term "musical" is not clearly defined, everyone understands and hears something different.
A DAC simply has to work precisely and this is the case with the ADI-2 Pro.
I see here more potential issues in the combination of amplifier/boxes and in the area of room acoustics,
maybe also personal listening habits.
It's IMHO even an advantage that the ADI-2 Pro * works as precise as he is without "washing" the sound
to bring something into it which was not there upfront.
It's better to "shape the sound" to personal taste by
a) EQing
b) room acoustic
c) amp and speakers that sound good and do not need a "mocho generating component" in between in the area of D/A conversion.
(+) I personally compared the ADI-2 Pro, ADI-2 Pro FS and ADI-2 DAC with the DAC-40 module of the Accuphase E600 Class A amplifier and B&W 803D3 speakers. The differences were subtile. I had the impression, that the ADI-2 Pro is a little bit more precise in room recreation and instrument positioning.
Also the ADI-2 * sounded for my ears more like the Accuphase DAC-40 module, when being in NOS mode. It cleared a bit up when using the other non-NOS modes. All in all the ADI-2 Pro / * sounded a little bit better compared to the Accuphase DAC-40 module for my ears.
Based on this comparison I can see nothing wrong in the RME product.
Also the presentation of sound and room in my studio corner when listening over Geithain RL906 near field speakers.
Or when using Audeze LCD-3 phones (alcantara version has better sound).
The result is everywhere the same, exzellent sound.
(+) Methodology: when performing the tests I ensured that the setup allows for quick A/B comparisons in under 1 sec.
I achieved this by using my PC as music player and using 2 different TOSLINK connections originating from my RME UFX+ and Octamic XTC. With the remote control of the Accu E600 I was able to quickly select either the internal DAC-40 or the ADI-2 Pro with the same music material in under 1 sec. I performed the tests multiple times at different occasions to prevent ear fatigue. Blind test would have been nice, but I had nobody near to do the switching for me and to make notes.
It would be nice to bring more information into your postings before making such statements.
Nothing against personal opinions, but not the way you did.
BTW, my musical background, I play and record music and am also a big fan of Live Music and know how instruments shall sound (part of very early musical education at school in the 70's). I also know where the limitations are at home.
But with my setup artists like Lee Ritenour on Bluray start to sound live and vivit in my living room through
the ADI-2 DAC and the rest of my setup.
BR Ramses - UFX III, 12Mic, XTC, ADI-2 Pro FS R BE, RayDAT, X10SRi-F, E5-1680v4, Win10Pro22H2, Cub14