For a while I did experiment, for fun, with the “Phase Invert“ OFF vs. BOTH parameter.
By no means the effect is strong enough to justify constant switching around.
So finally I leave “Phase Invert“ “OFF”.
The majority of recordings is polarity correct, that’s how studio equipment is wired, and mic‘s tend to be placed in the direction where a listener would be.
Polarity correct does not mean all attack’s 1st pulses are positive, from the audience’s view.
For a pop/rock/jazz bass drums it is, as the beater pushes the drumhead towards the listener.
For a lot of instruments it’s the other way round, or undefined.
Continuous waveforms of e.g. of voices and brass are very asymmetrical, with a smaller, higher peak going positive (waveform looks like this: UUUUUUU) , but I couldn’t hear any effect phase inverting these.
Whenever I could hear a difference it was in the lower registers, where sound turns into a bodily experience.
To say it clear:
Everything mentioned here refers to the settings of “Phase Invert“ OFF vs. BOTH only.
Setting “Phase Invert“ to LEFT or RIGHT simply would be wrong, unless one needs to correct a mis-wired cable.