ramses wrote:You can use both devices at single speed (44.1/48 kHz).
Clock master UFXII
- Audient connected to ADAT1 IN, getting its clock through word clock (as it has no digital inputs)
- FF800 in stand-alone mode getting clock via it's ADAT input (still operateable through FW and 2nd TM FX instance)
PC
| |
| +--FW400---FF800(clock slave, getting clock from UFX II through ADAT input)
| |
| ADAT2 (2x IN and OUT)
| |
+------USB2---UFXII(clock master)---ADAT1 (1x IN)---Audient (clock slave, getting clock from UFX II through ADAT input)
| |
+------Word Clock-------------------------+
Thanks for the response.
In this instance the FF800 has to be connected to my macbook M1? So that the total mix session wouldn't allow me to route across the two devices?
I understood that apple would be dropping support of the firewire soon, so this is one of several reasons I wanted to upgrade to UFXII. So I thought if I just reset everything (factory reset) and then ran in standalone mode I could use channels 1-8 from FF800 in via adat1 in and adat1 out in to UFXII and then channels 9-10 of FF800 i would go in and out of UFXII via adat2?
I currently don't have enough preamps for the FF800 inputs 1-6, so I thought I could use the ASP800 for the pre-amps, using the direct analog outs 1-6 of the ASP800 in to FF800 channels 1 - 6. Then the analog 7- 8 from the ASP 800 would go in to 7&8 of the UFXII. So, in this scenario, I would be using the preamps only from the ASP800, not the AD conversion via ADAT, since I would have the AD (and DA) conversion from the FF800 with total mix showing all 22 channels?
Actually, for drums I have vintech analog dual 1073 for kick and snare, and warm audio 4-12 analog preamps for L&R OHs and Hi and Lo toms. Then the UFX channels 10,11,12 for HH, ride, snare bottom. This then allows me to have two room mics for drum ambience and these go in to UFX inputs 7&8, with one channel on UFX open (eg, for third tom). In thjis scenario I would avoid the ASP800 completely for drums and use that for guitar, bass keys etc... as these would be overdubbed anyway for real recordings but I do a lof of "live recordings" where I mix the tunes (using logic pro). I only recently got the ASP800 and I am actually thinking of selling (and replacing with octamic II, eg) it since it doesn't have DA, but more importantly, it seems noisy in comparison to the RME FF800 (channels 7-10) or UFX preamps (channels 9-12).
Also, i didn't mention I have Hybird digital and analog system, the outputs from my interface go in to an old Mackie CR-1604 analog mixer. For live jams, I used to run vocals/keys etc...through this and use the direct outs in to the FF800 if I wanted to capture multi-track recordings. But I found this a little confusing to optimise the gain in the live section vs the direct out for the recording through FF800. But I am actually now thinking if I can set up the FF800 as I originally proposed then I can get 8 channels of analog mackie VLZ pre-amps and not need the ASP800?
Sorry for the long poset and thanks again!