Both, XLR and TS work for line level sources. Maybe it’s more a question of what connection you prefer, balanced with XLR plugs or unbalanced with 1/4“ TS plugs.
Magic manual, page 38/39 tells:
19.2 Microphone / Line / Inst Front
The four sevo-balanced microphone inputs of the Fireface 802 use XLR/TRS combo jacks. A two colour LED displays present signal (green, from –46 dBFS) and warns against overload (0 dBFS).
XLR
The gain range of the XLR inputs is 54 dB, adjustable from +6 dB to +60 dB. This equals a sensitivity from +10 dBu down to -44 dBu, referenced to full scale of the AD-converter. The soft switching, hi-current Phantom power (48 Volt), switchable per channel, provides a professional handling of condensor mics. The usage of a hi-end integrated circuit (That 1510) guarantees outstanding sound quality, lowest THD, and maximum Signal to Noise ratio in any gain setting. Up to a level of +10 dBu, the front XLR input can also be used as Line input.
TS
The unbalanced TS Line inputs, which can be used alternatively, add even greater flexibility to the Fireface 802. With 800 kOhm input impedance (Hi-Z), TS jack and adjustable input gain over a range of 54 dB the front-side inputs can be used perfectly with keyboards, sampler, CD player, guitars and much more. These inputs handle levels from –33 dBu up to +21 dBu, turning them into full level Line inputs. Thus the unit can also be used as Line gain amplifier.
The TS jacks are free of phantom power.
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