Topic: Somebody please help me with Total Mix - can't configure it whatsoever
To start off, this should probably be in another section as I'm using the Multiface II and not any of the Firefaces - however this forum gets the most attention and traffic it seems like and my problem has to do with the DSP so I figured I'd post here.
For starters, I'm coming off an M-Audio ProFire 610 - and that thing's DSP was easy as cake to setup and have running how I wanted it to. Enter Total Mix, completely lost.
1) I cannot get playback out of multiple output channels to run simoultanously, it's either one or the other. Even setting up my sounds through Windows, whatever was plugged in first seems to want run the signal through - being my monitors in today's case, headphone amp would not get any feed whatsoever through Windows sounds. Enter my DAW, if I default my output to channels 3&5 - it'll play through the headphone amp. Actually, if I have my DAW running through my headphone amp and have audio running through it and then pull up audio running through Windows it'll play out of both simoultenously - but that's not helping me. On the M-Audio, no matter what program I'm in, whatever is connected to any outputs will play if they're powered on - easy as that. Through Windows if I had two sets of monitors and my headphone amp all on at once, signal would play through all of them at once. Windows only wants to play sound through channels 1&2 on the RME. Same with the DAW, it only wants to playback whatever output channel is set to default. With the M-Audio the output channel for the Master would be defaulted to 1&2, but like I stated above, anything powered in any other output channels would play through as well. So is there something simple that I'm missing here in Total Mix that will fix this?
2) Headphone mic monitoring. Only comes out of one ear, no matter what, one ear.
3) Headphone mic monitoring is quiet unless I boost the living crap out of the faders, which obviously isn't usable when I have to unmute instruments to track as I'll blow out both my ear drums and my headphones. What I used to do with the M-Audio's DSP was to set the mic input within the DSP all the way up or around 3/4's, and then the outputs that feed the headphone amp only up about 1/4th - and then I'd crank the knobs on the headphone amp and voila, got a nice loud instrument level and a nice loud mic monitoring level so I can track nicely. I think this worked because there's line levels in the M-Audio DSP as well as a Master. The Master was always maxed out, while I'd adjust the line output levels low, and compensate with the headphone amp. I can't seem to find any 'Master' level within the Total Mix DSP, so that blows my process I'm accustomed to using.
I believe that's about all my problems with it so far. I can't get past any of that to even see if any further problems would come up.
Anybody have any solutions to this? Or better yet, would anybody be generous enough to Team View my PC and go through my DSP and fiddle with things to alleviate the problems? Would greatly appreciate that. Thanks in advance.