The quality of A/D and D/A converters is generally quite high these days. I would focus more on what connectivity/expansion options and features you need.
RME doesn't have any special “house sound”. The devices are designed to record and play back audio unaltered in high quality. The sound is characterized as “transparent” not coloring, which is good, nothing should be added to the sound.
A few dB SNR more reduce the noise measurable, but these are all no criteria that have a direct or audible influence on the sound during playback.
It is not so much the AD/DA converter itself that is responsible for the playback quality, it is the combination of the converter and the analog amplification stage behind the converter.
I'm a bit surprised how you now specifically come to the MADIface XT. This recording interface has a special position because of the very high number of channels through the three MADI busses, so you can connect plenty of devices via MADI. But do you need this feature?
Then take a look at the UFX II, which was released a few years later, is even a bit cheaper and offers some advantages: higher number of I/O ports, which can be used directly. In 2017, there were also faster converters available on the market for the design of this product, which is always good for monitoring or routing on the audio interface.
The microphone inputs can even be used as instrument inputs (Hi-Z). The microphone inputs also have a higher gain range. You have features like Autoset and DURec. You can also connect the recording interface via USB2, which is available on all computers and in contrast to USB3 even allows cable lengths up to 5 m, which allows you to position the recording interface and computer more flexibly. The UFX II also has a built-in Real-Time Clock, so that DURec recordings directly to disk or USB stick always have a correct time stamp.
In your case, I would look at the features and see that the solution is still in a well manageable range for you also from price perspective.
I would concentrate the USB interface selection on the following products: Babyface Pro FS, UCX II, UFX II.
Furthermore, an excellent solution is the combination of recording interface and the reference converter, for example UCX II and ADI-2 Pro FS R BE. This would give you plenty of possibilities and also very nice features for monitoring via monitors or headphones, see these two blog articles that I wrote regarding this topic, which provide you more information.
You can add the ADI-2 Pro through AES and then you have still 1x ADAT I/O left to add e.g., more preamps later, if needed.
https://www.tonstudio-forum.de/blog/Ent … our-Setup/
https://www.tonstudio-forum.de/blog/Ent … ses-EN-DE/
So … If you do not require the many I/O channels of UFX II or UFX+, then save a little money by considering the purchase of the UCX II to get already excellent quality. Then I guess the chances are higher that some money is left, to add the ADI-2 Pro now or in the near future.
I am using a combination of
— UFX+, ADI-2 Pro FS R BE in the recording corner and 12Mic, Octamic XTC for mobile recording applications
— ADI-2 Pro FS R BE in the HiFi Corner, where the 2nd ADI-2 Pro is connected to the UFX+ through ADAT. Then I can record from HiFi or TV and use the PC as Music Player.
BR Ramses - UFX III, 12Mic, XTC, ADI-2 Pro FS R BE, RayDAT, X10SRi-F, E5-1680v4, Win10Pro22H2, Cub14