kwk86 wrote:The following ones had the white noise. Mostly assumably older recordings, but also rather recently produced tracks:
Girl from Ipanema, Stan Getz
I’m coming out, Diana Ross
Moanin’, Art Blakey and the Jazz Messengers
For what it’s worth, complete album collection remastered, Buffalo Springfield
As for the EQ curve, i initially went with Oratory1990 settings, which i also posted a screenshot of on another forum. Please refer to this link for the picture.
https://www.open-end-music.com/forum/au … ad/page299
I replicated your complete setting, incl. Crossfeed and Loudness, like visible in the link provided.
Played on my STAX SR-009 / SRM-1 MK2 directly connected to ADI-2/4 Pro SE.
Streaming from Tidal Master.
• Girl from Ipanema, Stan Getz, Joao Gilberto, Astrud Gilberto:
Over 70 releases of the track, more or less remastered.
The famous edited single version, with only Astrud singing, appearing in mono and stereo versions.
With DA Filter “NOS” the vocal “plate type” reverb sounds artificial, quite like “noise”.
With my preferred “SD LD”-Filter the reverb becomes part of the music.
The original duett version with Getz’ vocal has a faint noise in the intro of most versions.
• I’m coming out, Diana Ross:
I can find ca. 30 releases of the track,
There is a noise along the vocal, obviously origining from the recording process, most prominent in “The Legacy Collection”.
When the drums chime in, I can’t stand playing loud enough to further hear any noise.
With DA Filter “NOS” the noise sounds separated from the music.
With my preferred “SD LD” filter the noise better integrates into what it actually is, a part of the recording.
• Moanin’, Art Blakey, The Jazz Messengers
More or less the same like above.
This is a 1958 recording, which, for it’s age, has quite a good sound.
Obvious recording overloads in the left channel trumpet solo included.
• complete album collection remastered, Buffalo Springfield
Some soft background noise in the stereo versions audible, nothing to ‘phone home about.
CONCLUSION:
These old recordings are made on analog tape and contain some noise due to the recording process.
In the remastered versions the engineers seems to have partly reduced the noise by some amount, but it comes through of course from time to time.
Your EQ is quite drastic (not sounding bad) and boosts the treble, enhancing the critical frequencies.
To me the NOS Filter’s huge amount of audible artifacts making the situation worse, creating an unnatural disconnection of noise, reverb and music.
Other filters like “SD LD” are better suited.
In this light I’d view the topic as solved, what you hear is simply what is in the recordings.