> Ok, then good luck.
Why good luck?
ramses, i do not want to be rude. Nothing personally, ok? Just this thread....
My FF802 works perfectly via the (servo-balanced) analog Outs and the Y-Cables in combination of the regular Phone Outs.
5 totally different Headphones. Even the cheap Apple EarPods (Impedancy around 40 Ohm), Headsets, Beyerdynamics DT 997 and two AKGs...
Everything is described inside the manual:
p.39:
...
Channels 9 to 12 of the Fireface are available on the front as 1/4" TRS jacks. These channels
use the same converters as the other Line outputs, therefore offer the same technical data (118
dBA SNR).
Instead of using internal electronic switches, their output level is changed step-less with the VOL
pot. These outputs are special low impedance types, ready to be used with headphones. But they
can also be used as high-quality (yet unbalanced) Line outputs
...
p.95:
...
DA, Line Out 1-8, rear...
Maximum output level: +19 dBu
Output: 6.3 mm TRS jack, servo-balanced
Output impedance: 75 Ohm
Output level switchable Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ Hi Gain: +19 dBu
Output level at 0 dBFS @ +4 dBu: +13 dBu
Output level at 0 dBFS @ -10 dBV: +2 dBV
DA - Stereo Monitor Output Phones (9-12)
As DA, but:
Output: 6.3 mm TRS stereo jack, unbalanced
Maximum output level at 0 dBFS: +16.8 dBu
Output impedance: 24 Ohm
...
The differences should be clear now? OK - Yo do not have a separate Poti for the Heaadphones via the AN Outs...
the link, you referred to, is more a basically desciption, pointing to a focusrite, but without any further technical specs/details/background.
-> But a line level output won't have enough power to drive headphones.
It is slightly - Not true.
As SimJoW has a FF802, he has the possibilities to get exactly that, what he asks for.
Without any additional Interface (bought at thomann???) like a Motu Monitor V8 (1200 Euro???). And all the other links...
-> I would not be sure whether that would not be too complicated in terms of handling.
Why? Once set up, saved as a snapshot/workspace, and you can recall your settings via multiple ways (MIDI/OSC/Shortcuts/ARC Remote, etc...)
In TM you can set all the Headphone-Outs to the Control room. And then you can set in the global Prefs, the snapshots should/do not load the faders of the control room levels.
This setting also affects the Quick Workspaces.
The only thing i agree to you, ramses, is that you should keep in mind that switching workspaces, switches the reference level settings too, if the Analog-Outs vary whether they belong to the control room or not.
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