Many thanks!

It depends on how you see it but, but I have come to conclude that babyface is better suited for musicians using it for recordings with microhopnes, hence not suited for my needs of recording keyboards.

Im going straigt line out to the xlr ins through a 1/4trs to xlr cable from the synth. Is there a way to bypass the babyface preams in order to record a clean signal through its AD? Someone told me not to record synths through xlr inputs since there is a signal imbalance which may vause the lower audio quality.

Different patches of sound on the synth are at different volumes set by the manufacturer. Bass patches are usually overly loud (turn down volume output) while other patches higher in frequencies do not need to be recorded as loud (because usually in the overall mix, they are put down in volume or else would be overrunning the music). Still other patches may not be at the total volume they can be because it was set at the factory that way. You turn up those patches volumes if necessary gaining more output to record them better. Balance - maybe from the factory, but usually I have found that with patches it always pays to check the volume output of the patch with the total master volume out, and if too loud like most Bass patches, then turning down the volume can always be done. Plus there can be other factors used in recording with compression equipment, preamp equipment, and other sound recording gear in the chain before getting to the Babyface. Your job, is to figure it out.
Plus how do they know if you are going to use MIDI or the analog signals out. They do not, so it may be also that it all was set for MIDI in the patches to be played back through the synth after recording the MIDI.